French actor and Master of Ceremony Lambert Wilson delivering a speech during the opening ceremony of the 67th edition of the Cannes Film Festival.

AFP

Cannes

Movie stars poured onto the Cannes red carpet yesterday for a glittering ceremony heralding the start of the world’s biggest film festival after critics savaged opening movie Grace of Monaco.

Nicole Kidman, Sofia Coppola, Willem Dafoe, Chiara Mastroianni, and jury head Jane Campion were among the big names who walked up the 24 steps of the Palais des Festivals in the French Riviera resort.

Ryan Gosling, David Cronenberg and Sophia Loren are also set to make an appearance later in the 67th Cannes Film Festival, where directorial big guns will go head-to-head in a year of comebacks, swansongs and star debuts.

But for filmmakers behind the opening movie, the festivities promise to be bittersweet as the Monaco princely family furiously disavowed a film they say bears no resemblance to reality and critics who got a sneak preview made no secret of their contempt.

“The cringe-factor is ionospherically high,” the Guardian film maestro Peter Bradshaw wrote. “A fleet of ambulances may have to be stationed outside the Palais to take tuxed audiences to hospital afterwards to have their toes uncurled under general anaesthetic.”

Rather than illustrate her life as whole, the movie focuses on a period of high tensions between the tiny state on a rock and France in 1962 that prompted the princess to turn down an offer by Alfred Hitchcock to return to her beloved acting.

Kidman portrays an unhappy Grace who sleeps in a separate bedroom to Prince Rainier, even contemplating divorce before rising up to the challenge of being a princess and helping her lost husband solve the political crisis with France.

Grace’s children Prince Albert II and his sisters Caroline and Stephanie have publicly disavowed a film that they say “has been misappropriated for purely commercial purposes”.

“This film should never have existed,” Stephanie of Monaco told local daily Nice Matin.

Describing the controversy as “awkward” in a press conference yesterday afternoon, Kidman sought to reassure the family that the film bore no “malice” towards them or towards Grace and Rainier, played by a chain-smoking Tim Roth.

“It’s fictionalised, it’s not a biopic,” she said, echoing what the film’s French director Olivier Dahan has previously stated.

As if this was not enough, Dahan had been locked in a long-standing tussle with US distributor Harvey Weinstein over the final version of the film.

Weinstein had reportedly considered dropping the rights to the film altogether, but Dahan said yesterday that an agreement had been reached under which the movie mogul will distribute the French director’s version in the United States.

“There is no dispute anymore, everything has been resolved. We’re working together, and I’m happy about it,” Dahan told reporters.

According to entertainment industry magazine Variety, Weinstein will acquire the rights for considerably less money than what he had originally planned to pay.

The glitzy Cannes opening kicked off at 1915 (1715 GMT) with a ceremony hosted by French actor Lambert Wilson. Eighteen films will compete for the coveted Palme d’Or prize during the May 14-25 extravaganza.

The festival will see Canadian heartthrob Gosling showcase his directorial debut Lost River, and films by 25-year-old whizz kid Xavier Dolan, veteran director Jean-Luc Godard and Men in Black actor Tommy Lee Jones will also compete.

On the sidelines of the movie competitions, muscle men and action heroes Sylvester Stallone, Harrison Ford and Arnold Schwarzenegger will take a trip to the resort on board a tank to promote The Expendables 3.

Abel Ferrara’s racy Welcome to New York in which Gerard Depardieu plays a character much like the disgraced former head of the International Monetary Fund Dominique Strauss-Kahn will also get a private industry preview during the festival.

And to seal off this year’s festivities, US Cannes-lover Quentin Tarantino will showcase A Fistful of Dollars at the closing ceremony, in a glitzy celebration of the 50th anniversary of spaghetti westerns.