Star Wars: The Force Awakens showed few signs of flagging over Christmas weekend, barreling past the $1bn mark globally at a faster clip than any film in history.
It’s becoming old hat to recount the various ways that the seventh film in the science-fiction fantasy is vapourising records, but, familiar or not, The Force Awakens once again ground down high-water marks over the holidays, racking up $153.5mn domestically.
That represents both the biggest Christmas holiday result and the best second weekend for a film in history.
Domestically, The Force Awakens has grossed a mammoth $544.6mn. Worldwide that figure is nearly $1.1bn.
The Star Wars sequel crossed $1bn in 12 days, something it took the previous record-holder, Jurassic World, thirteen days to accomplish.
The three-day holiday should also rank as biggest Christmas weekend overall in history beating the $269.8mn in 2009, which saw the launch of Sherlock Holmes and the second weekend of Avatar, the box office titan that The Force Awakens hopes to surpass as the highest-grossing film in history.
Despite the furore surrounding the return of the Jedi, a few films managed to score with yuletide ticket buyers.
Paramount reunited The Other Guys stars Will Ferrell and Mark Wahlberg in the comedy Daddy’s Home with strong results.
The look at a stepfather’s attempts to outshine his wife’s stud of a first husband, came in second with a strong $38.8mn from 3,271 theatres.
That was far above projections which had the picture opening in the $20mn range.
Daddy’s Home carries a $50mn budget.
Fox also scored with Joy, a rag-tag biopic about the creator of the Miracle Mop, that earned $17.5mn from 2,896 theatres.
The $60mn film reunites the Silver Linings Playbook team of Jennifer Lawrence, Robert De Niro, and Bradley Cooper with director David O Russell. It is expected to be a leading Oscar contender.
But Point Break, a remake of the 1991 Kathryn Bigelow cult favourite, wiped out. The $105mn action flick eked out $10.2mn from 2,910 venues.
The Chinese-American co-production will look abroad for salvation.
It has earned a solid $40mn in China, where it opened on December 3.
Warner Bros, which has had a horrific year at the box office, can at least content itself with the fact that it’s only a gun for hire on this one.
Alcon Entertainment and DMG Entertainment financed Point Break.
Sony’s Will Smith NFL drama Concussion nabbed $11mn across 2,841 locations.
L Star Capital and Village Roadshow co-financed Concussion, which has a $35mn budget.
In its second weekend of release, Universal’s Sisters barely dropped from its debut, picking up $13.9mn to drive the Tina Fey and Amy Poehler comedy’s North American haul to $37.2mn.
Fox’s Alvin and the Chipmunks: The Road Chip also showed some endurance, adding $12.7mn to its $39.4mn domestic gross.
Paramount’s The Big Short expanded from eight theatres to 1,585 locations on Wednesday, picking up $14.5mn for the five day period. Its gross stands at just over $16mn and a further expansion is planned for January 8, at which point the comedy about the financial collapse will be in roughly 2,500 theatres.
In limited release, the Weinstein Company’s 70 MM “road show” version of The Hateful Eight racked up a sturdy $4.6mn from 100 locations for a $45,365 per-screen average.
Fox’s The Revenant also did well in a handful of theatres.
The blood-drenched revenge epic picked up $471,000 from four locations, for a per-screen average of $117,750.
That’s the second best average of the year, behind only Steve Jobs with $130,381.
But The Revenant will need to resonate with mainstream crowds if it hopes to recoup its $135mn budget – something Steve Jobs failed to do.
Leonardo DiCaprio stars in the film as a wilderness guide abandoned by his colleagues after a savage bear attack.